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Imagine Africa and its theme of "Revolution" is introduced by Georges Lory who opens the collection with his essay, "Poets to your quills, Africa is taking off". Through a collage of poems, essays, fiction, and visual art, Imagine Africa gives us a glimpse of a kaleidoscopic contemporary Africa.
From the Trade Paperback edition.
- Sales Rank: #1817624 in eBooks
- Published on: 2015-05-05
- Released on: 2015-05-05
- Format: Kindle eBook
Review
"As a writer, Breytenbach has the gift of being able to descend effortlessly into the Africa of the poetic unconscious and return with the rhythm and the words, the words in the rhythm, that give life." -- J.M. Coetzee, New York Review of Books
"[Frankétienne's] work can speak to the most intellectual person in the society as well as the most humble. It's a very generous kind of genius he has, one I can't imagine Haitian literature ever existing without." -- Edwidge Danticat
"[Aimé Césaire is] one of the most powerful French poets of the century." -- New York Times Book Review
About the Author
Featuring authors: Georges Lory, Frankétienne, Akinwumi Isola, Paulina Chiziane, Ahmad Fouad Negm, Fracis Bebey, Mia Couto, Miram Al-Masri, Scholastique Mukasonga, Breyten Breytenbach, Cedric Nunn, Abdellatif Laâbi, Ernetst Pépin, Aimé Césaire, John Berger, Louis Esterhuizen, Billy Kahora, Corsino Fortes, João Melo, Ali Jimale Ahmed, Hans van de Waarsenburg, Bill Dodd, Ko Un, Birago Diop, Albert Cossery, Athol Fugard, and Wole Soyinka.
Featuring translators: Jocelyn Spaar, Kaiama L. Glover, Akinloye Ojo, David Brookshaw, Catherine Cobham and Marilyn Booth, Christopher Winks, Jill Schoolman, Melanie Mauthner, Georges Lory, Donald Nicholson-Smith, John Berger and Anna Bostock, Charl J F Cilliers, Daniel Hahn and Sean O'Brien, Peter Boreas, Richard Silberg and Clare You.
Most helpful customer reviews
1 of 1 people found the following review helpful.
sized like its predecessor
By B. Goddard
This is volume II of a series. Volume I is reviewed elsewhere.
Imagine Africa, volumes I and II
In, say, 2007, a group of artists, authors, and intellectuals gathered at the Goree Institute in Dakar, Senegal, to discuss and reflect. They wanted to create a vehicle for a dynamic vision of the African continent. This ongoing discussion (and others) can be viewed at [...]. One of the first manifestations of this spirit was a small book 6” tall and 8” long, a kind of giant postcard. The book was 232 pages and produced by a collective called Pirogue, a creative expression of the Goree Institute. A website was established and a book, introduced by Breyten Breytenbach, was published in 2011, and titled imagine africa; the artwork on the cover features 3 figures in color, 2 upright and the righthand one bent at the waist. The Pirogue Collective no longer has a website and the first publisher no longer exists or has morphed into the Archipelago Press which can be contacted at[...]. imagine africa II, sized like its predecessor, was published in 2014 and introduced by Georges Lory. The artwork on its cover shows 3 panels in color primarily of faces. The books are copyrighted by an organization called “Island Position.”
Each volume contains prose, poetry and artwork. Each work seeks to represent all parts of Africa, and works not originally in English are translated side-by-side with the original. Several of the writers are widely known, and readers seeking a wider breadth should use these volumes to discover writers previously unknown to them. Some pieces are long (20+ pages, some are short). Both books contain treasures. Volume II is a little more cosmopolitan than volume I and has fewer "so this is Africa" essays. Both volumes are extraordinary.
0 of 0 people found the following review helpful.
A wide view to African writing
By Susan Drees
Imagine Africa is an exciting collection of writing---essays, poems, short fiction, collected oral stories---all reflecting the greater African tradition. There are calls to arms, elegies for loss, looks to the future, works of politics and stories of more personal life. Everything is marked by the African continent, even those stories that reflect the diaspora to the countries of the Caribbean.
Most of these authors are new to me and I appreciate the brief biographies provided which often list other titles to pursue. Most of these works were not written in English and full information re the translators is also provided. The material is shown in its original language, then in English. This might be Africaan, French, Arabic, Dutch or a combination. International readers can therefore possibly read in their own language.
I have been attempting to read more African fiction but this book has opened my eyes to a wider world of African writing that I must pursue if I hope to understand that huge area of the world.
Highly recommended as a primer on African writing.
A copy of this book was provided by the publisher through NetGalley for the purpose of an honest review.
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