Selasa, 29 Mei 2012

[L350.Ebook] Ebook Download Play Their Hearts Out: A Coach, His Star Recruit, and the Youth Basketball Machine, by George Dohrmann

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Play Their Hearts Out: A Coach, His Star Recruit, and the Youth Basketball Machine, by George Dohrmann

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Play Their Hearts Out: A Coach, His Star Recruit, and the Youth Basketball Machine, by George Dohrmann

Winner of the PEN/ESPN Award for Literary Sportswriting
Winner of the Award for Excellence in the Coverage of Youth Sports
 
Eight years of unfettered access and a keen sense of a story’s deepest truths allow Pulitzer Prize–winning journalist George Dohrmann to take readers inside the machine that produces America’s basketball stars. Play Their Hearts Out reveals a cutthroat world where boys as young as eight or nine are subjected to a dizzying torrent of scrutiny and exploitation. At the book’s heart are the personal stories of two compelling figures: Joe Keller, an ambitious coach with a master plan to find and promote “the next LeBron,” and Demetrius Walker, a fatherless latchkey kid who falls under Keller’s sway and struggles to live up to unrealistic expectations. Complete with a new “where-are-they-now” Epilogue by the author, this thoroughly compelling narrative exposes the gritty reality that lies beneath so many dreams of fame and glory.
 
NAMED ONE OF THE BEST SPORTS BOOKS OF THE YEAR BY THE LOS ANGELES TIMES • THE CHRISTIAN SCIENCE MONITOR •  KIRKUS REVIEWS
 
Look for the exclusive conversation between George Dohrmann and bestselling author Seth Davis in the back of the book.

  • Sales Rank: #257137 in Books
  • Brand: Dohrmann, George
  • Published on: 2012-02-07
  • Released on: 2012-02-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .90" w x 5.20" l, .70 pounds
  • Binding: Paperback
  • 448 pages

Amazon.com Review
Amazon Best Books of the Month, October 2010: Each year, millions of grammar school athletes swarm fields and courts armed with little more than an infectious love for their games. These endeavors represent the purity of sport, as kids are allowed to be kids and compete outside the demands of lucrative contracts and extensive media coverage. Yet sadly, as George Dohrmann's Play Their Hearts Out demonstrates, such a paradise is fading fast in today's corporate sports world. Dohrmann provides a first-hand account of the rise of a nine-year-old basketball phenom and the grassroots programs that both helped and hindered his dreams of superstardom. To call this story a cautionary tale is to sell it short, as Play Their Hearts Out is an unflinching look at the increasing need for hype in youth athletics. Fans of the brilliant Hoop Dreams documentary are advised to add this book to their cart immediately, as Dohrmann's masterful ability to remove himself from the plotline achieves an honesty that leaves any and all judgments to the reader. --Dave Callanan

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From Publishers Weekly
Starred Review. Dohrmann, a Pulitzer Prize–winning reporter for Sports Illustrated, spent eight years chronicling the struggles and triumphs of a select group of California youths who chased their dream in his wonderful and immaculately reported first book. Dohrmann largely focuses his work on Demetrius Walker, the hoops phenom who seems destined for stardom at a young age, his travel team from California, and the club's complex and bombastic coach, Joe Keller. Dohrmann began reporting on the book back in 2000, when Walker and many of his teammates were only 10 years old, and followed them through to their high school graduation. Along the way, he shows the brutal nature of "grassroots" basketball, in which coaches can view their players as "investments," the power of sneaker companies in youth basketball, and the cutthroat antics of collegiate recruiting. But this is equally a story about relationships and the sad deterioration of many of them, whether it be among teammates, parents and son, or coach and player. It's a brilliant and heart-wrenching journey, and a cautionary tale to any basketball player who thinks the path to the NBA is a slam dunk.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Basketball fans frequently hear references to AAU (Amateur Athletic Union) summer leagues, in which young players have a chance to hone their games. The AAU leagues are often criticized for exploiting young kids, but most of these charges have been based on rumor or hearsay. Until now. Dohrmann, the last sportswriter to win a Pulitzer Prize, spent approximately nine years researching this book; the story begins in 2000, when he convinced AAU coach Joe Keller to give him unfettered access to his team, the Inland Stars. The only condition was that the book wouldn't be published until the players—then 9 and 10 years old—were in college. Keller is a fascinating subject, a mix of positive characteristics—he is a genuinely caring father figure for many of his players—and profoundly negative. In Dohrmann's portrayal, Keller emerges as a shameless promoter of himself and his players, a poor coach, and a man for whom ethics are always relative. Money, of course, is key; surprisingly, there are lots of ways for coaches to profit in the underground basketball world, mainly from shoe companies (the real villains in this story) in the form of cash as well as products, prestige, and influence. In fact, as Dohrmann shows, everyone makes money in this “amateur” enterprise except the kids. An eye-opening look at the underbelly of modern American sports. --Wes Lukowsky

Most helpful customer reviews

47 of 49 people found the following review helpful.
A rich, detailed and unforgettable look at modern basketball.
By Patrick McCormack
I started this book with an expectation that it would be a long magazine article, turned into a book. Instead, I found a richly detailed story about basketball, expectations, and real people in the world of sports.

The story is about more than a star recruit and a coach... this book is about the system of development, where athletes are given small perqs, and coaches collaborate in a system that rewards up and coming, young, very young players. Each step is logical, from shoe contracts to help with homework, from summer camps to being named a starter at a young age.

This book shows what is missing, which is the perspective. Being a good junior player is like being given a lottery ticket. Yet we communicate to these young people that they have nearly won the lottery, that they are special, that they have a chance at the brass ring. Each person -- the parent, the coach, the player, the school administrators -- give their tiny message of unwarranted optimism, of perspective-less encouragement, on a path that is quite unlikely to lead to riches and millions.

The writing is very good, the research is deep and layered, the stories told from many perspectives. At times, reading this book, you want to take the young players aside and give them a more accurate world view -- this book helps you understand that this is what is lacking, entirely, among the well-meaning coaches, high schools, players, camps, shoe companies, and the basketball-industrial complex.

Every coach and every player should read this book to understand the world of basketball within which they live.

25 of 27 people found the following review helpful.
Very good. The shocking story of youth "pro" basketball.
By hasselaar
Having read "Friday Night lights", seen the movie and watched the series, I was sceptical about this book being able to contend with such quality. I am now a believer, this is a fine book, well-researched, well-written and a stunning display of how adults in the US are able to manipulate young kids into becoming their "meal tickets". I had no idea that kids as young as 10 or 11 could end-up on mini-pro teams, that there were men (coaches) who would prey upon these young basketball players in order to earn money and prestige for themselves. I was stunned to read that the major sports supplies businesses would pay and promote these ethics in their own bid to increase corporate profits. That so many parents allowed their young children to be manipulated in such a way was an astounding revelation. This book illuminates behaviours and actions that are scandalously wrong and need to be halted.

The "coach" featured in this book, a certain Joe Keller, is "on the make" and searching for any way to promote himself. He signs these young boys to a "team", uses them in every way possible, showing zero concern for their physical or mental health, building his own reputation through the efforts of the young boys in his care. He has no scruples, he lies to the boys, manipulates them against each other, "buys" boys from other teams, and generally comes across as one of the more unappealing characters ever to see the light of day.

It is appalling to read that young boys, as young as 10 or 11 are being "scouted" for pro-like teams and worked day and night, to the detriment of their education. The parents appear to be as bad as Mr. Keller, willingly turning their young children over to this brute, on the mere chance that this child might someday reach the NBA and enrich the parents. This is an awful situation, I recommend this book to all, especially those who might consider allowing their children to be swept-up by all of this vainglory.Read this book, the story is good, the writing is excellent and it presents a subject that seems to have been kept well-hidden from the general public.

23 of 28 people found the following review helpful.
Insightful, a book with a purpose
By Sanchez
What if I were to tell you that if you come with me and read this review, you'll make it someday. I'll do whatever it takes for you to read this review, because that's how confident I am that you are special. Honestly, I've never met anyone like you. You're incredible. We're going to be a team, you and I. You're so awesome. What? Your mom can't afford rent? Done. Helping you means that much to me. I'll always be there for you. OK, yes, we're like family. Every step of the way, you can rely on me. I can get you where you need to go. I have connections. Trust me.

Review:

What's great about this book is that it's not just for the basketball minded. In fact, it's an interesting study in human behavior, people using people to get ahead - only, in part, the people being used are 10 year olds. From chapter to chapter you have to remind yourself that these are just kids. Seriously. The pictures before every chapter helped remind you of that important detail. The narrative does a great job depicting the decisions and scenarios that surround these children at every turn. They're children. Before you know it, you involve yourself in those decisions. But believe me, you very rarely win. Shoe companies are using the coaches, coaches are using the kids, and the kids (rather their parents) are using the coaches. In the end, who wins? Bittersweet wins. College scholarships are on the horizon for some of these kids, that's the sweet part, and there are some real heroes in this story. The bitter comes with the success of the main (adult) antagonist/protagonist that with every chapter aims to "coach" his way into millions. Disliking he and the system he rode in on is the easy part. The hard part comes with, perhaps, finding yourself rooting against his teams at these kids expenses. Yes, he is THAT unlikable. It's not until (spoiler alert) he rather rudely drops them from his life, along with all of his promises, that these kids begin to run into some serious trouble dealing with that change in speed. It's then where you start to really feel terrible for them, regretting having felt angst when they succeeded under his tutelage (if you want to call it that). All the elements in a great story are here, live and in person. There are cautionary tales. There is some coming of age. And, unfortunately for a chapter or two, there is seduction. This book comes highly recommended, whether you are in it for the basketball or not. You'll get incredible access to the underworld of grassroots basketball, provided with the keys to the minivans that once drove the likes of Kobe Bryant, Lebron James and other highly touted phenoms of our generation. More importantly, you're also driving those that fell short, that's the rub. So punch your ticket, take the ride, it will cost you less than a pair of basketball shoes...you'll know what I mean.

Now that you read my review:

It's a shame we can't continue our relationship. I guess we have to go our separate ways. I wish we could solve all our issues but I guess we will have to go our separate ways.

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Senin, 28 Mei 2012

[G853.Ebook] PDF Download Contending Voices, Volume I: To 1877, by John Hollitz

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Contending Voices, Volume I: To 1877, by John Hollitz

Each chapter in CONTENDING VOICES examines the lives of two individuals, some of them familiar historical figures and some of them lesser known, who took opposing positions on important issues in American history. The "paired biographies" in the text are followed by a set of four to six related primary sources, many in the individuals' own voices; a "Questions to Consider" section; and an annotated bibliography. This unique format promotes critical thinking and engages students in enlightening historical debates.

  • Sales Rank: #1069087 in Books
  • Published on: 2016-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .50" w x 6.30" l, .0 pounds
  • Binding: Paperback
  • 277 pages

About the Author
John Hollitz received his Ph.D from the University of Wisconsin in 1981 and has been professor of history at the Community College of Southern Nevada since 1992. Previously, he taught at California State University, Chico. In addition to CONTENDING VOICES, he has also authored a critical thinking reader, THINKING THROUGH THE PAST, 5th Edition (Cengage, 2014). Dr. Hollitz is a dedicated teacher of the U.S. History survey course.

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Sabtu, 26 Mei 2012

[V562.Ebook] Get Free Ebook Deeper than Reason: Emotion and Its Role in Literature, Music, and Art, by Jenefer Robinson

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Deeper than Reason: Emotion and Its Role in Literature, Music, and Art, by Jenefer Robinson

Deeper than Reason takes the insights of modern scientific research on the emotions and uses them to illuminate questions about our emotional involvement with the arts. Robinson begins by laying out a theory of emotion, one that is supported by the best evidence from current empirical work, and then in the light of this theory examines some of the ways in which the emotions function in the arts. Written in a clear and engaging style, her book will make fascinating reading for anyone interested in the emotions and how they work, as well as anyone engaged with the arts and aesthetics, especially with questions about emotional expression in the arts, emotional experience of art forms, and, more generally, artistic interpretation.

  • Sales Rank: #1032842 in Books
  • Published on: 2005-06-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.80" h x 1.50" w x 9.30" l, 1.98 pounds
  • Binding: Hardcover
  • 515 pages

Review

"Robinson is the only philosopher of music known to me who seems to have understood that musical experience involves the activation of the motor system and to have grasped this fact's fundamental importance. Deeper than Reason is impressive. Indeed, it is the best philosophical monograph I know on emotion and the arts. Among its many achievements is one most rare: it manages to be both accessible and profound." -- Modern Philology


Deeper than Reason: Emotion and its Role in Literature, Music, and Art, is a product of more then twenty years of research, in which [Robeson] digs deep into the nexus between philosophy, psychology, and aesthetics. This book is well worth reading if one is interested in contemporary theories of emotions or aesthetics. --Metapsychology


About the Author
Jenefer Robinson is in the Department of Philosophy, University of Cincinnati.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Masterful Work on Emotions and Aesthetics
By azonebooks
This may be two books. The first half is a challenging critique of contending views of emotions versus Robinson's own based in psychological and neuro studies. She's persuasive. The second is application of her view to various Arts. Here she's superb in showing that without the appropriate emotional response to a specific piece of music or literature or painting you cannot understand it. These applications demonstrate the value of her theoretical work. The book is invaluable for anyone interested in theories of emotion, and more for their application to the Arts.
Disclosure: I have know Robinson for many years. She is a former president of the American Society of Aesthetics, and a major contributor to theory of emotion and aesthetics.

18 of 18 people found the following review helpful.
An excellent examination of the Paradox of Fiction
By Juneko J. Robinson
Philosopher Jenefer Robinson argues quite convincingly that emotional engagement is necessary for any meaningful understanding of certain genres of art, music, literature, and poetry. According to Robinson, just as individuals who lack emotional understanding display serious social deficits, those who apprehend emotionally charged works from a purely intellectual stance misunderstand the deeper message behind artistic creations. Without that visceral emotional component, we cannot fully apprehend the subtleties of many creative works.

She does a fine job of methodically laying out her argument. Her argument is threefold. From the audience's perspective, Robinson argues that we are naturally inclined to pay attention to things in the environment that may impact our interests, desires, fears, etc. Emotions, then, are bodily responses to the environment, which are either threatening or conducive to these interests.

However, the mechanism is more cyclical than linear in nature. For Robinson, emotions are processes. Non-cognitive appraisals of the environment are caused by "simple perceptions" as well as by complex thoughts and beliefs which, in turn, trigger physiological responses and vice versa.

Moreover, studies indicate that this mental/physiological cycle of responses can occur regardless of the fact that we are cognitively aware that the situation is fictitious. Thus, we can respond emotionally to a work of art because we are capable of vividly imagining emotion in fictitious situations where our interests are at stake. The value of this kind of interaction comes when we reflect upon these experiences and are able learn about the complexities of emotional life that go beyond what our limited vocabulary is capable of articulating.

Secondly, emotion is equally important for the creator of the work. Although Robinson is careful to say that her theory does not apply to certain genres, she nonetheless defends a "new Romantic theory of artistic expression," whereby artists express emotion through their work by way of a persona that experiences the emotion/s depicted in the piece. Building on her theory of emotion, Robinson argues that works of representational works "are able to express an emotion by articulating the way the world appears to a person in that emotional state" (Robinson, 2005, 275).

But this oversimplifies Robinson's argument. She fully recognizes that in many works of art, there are "layers of personae" that allow emotions to be expressed through fiction by way of narrators, via the way that narrators depict the characters, and through the self-expression of the characters themselves, while others--particularly conceptual pieces--resist application of her theory.

Finally, Robinson explores how the very structure of the medium, particularly in literature and music, guides the audience to certain emotional responses to developments in plot and character. The fourth part of the book is devoted entirely to an analysis of the role of emotion in music appreciation and will likely have both lovers of Brahms, as well as new comers to his works, revisiting these pieces, book in hand.

Lovers of Henry James' The Ambassadors, Tolstoy's Anna Karenina, Edith Wharton's The Reef, Shakespeare's Macbeth, and Ian McEwan's Atonement, will enjoy seeing these works analyzed here and those not familiar with them will likely wish to read these works afterwards. Robinson provides especially vivid examples of literary works that lend credence to her argument. Although one wishes that there were more depictions of the visual arts, the one painting selected, a haunting landscape by Caspar David Friedrich, is an excellent choice.

My criticisms are few and relatively minor. While she is correct that many audience members may have felt angry at being manipulated into finding the shooting of a character "amusing," Robinson's brief assessment of Quentin Tarantino's film Pulp Fiction is a bit disappointing. Controversial and often cutting edge pieces, such as Pulp Fiction, frequently arouse ire and attention precisely because they express emotional incongruity in ways that challenge how we traditionally view and make sense out of such depictions. Robinson's quick disposal of the Tarantino example missed an excellent opportunity to discuss further the complexities of emotions that seem diametrically opposed, but that nonetheless exist simultaneously.

One also wishes that the attention paid to each of the arts was a bit more balanced in terms of length (e.g. painting is treated in five pages, sculpture and architecture are conflated into two pages, etc.) and, as such, these sections are less satisfying than the sections on literature and music.

These minor points notwithstanding, it is still a thought-provoking joy to read and would make excellent required reading in a classroom setting. Robinson deftly illustrates the historical landscape of aesthetic theory, and emotion theory from philosophical, psychological, behaviorist, and neuro-physiological perspectives, and the book is surprisingly ambitious in the sheer number of thinkers whose works are discussed over the course of the book. In addition, the book is well-organized with chapter conclusions that bring us back to the previous premises and conclusions and tie everything up to that point together. As a philosopher, free-lance artist, and former paraprofessional psychiatric social worker, I found Deeper Than Reason to be a well-balanced, careful analysis that is appealing on many levels. Robinson has written a fascinating study of the role of emotions in the arts that will be highly attractive to both serious students of philosophy, emotion theory and the arts, as well as educated lay persons. Her style is both economical and engaging and she has managed to articulate what many of us have already felt at an intuitive level; without emotional engagement, some works of art simply cannot be understood. As such, Deeper Than Reason is a welcome arrival on the landscape of the philosophy of art and emotion theory.

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Rabu, 23 Mei 2012

[I637.Ebook] PDF Ebook Ethics for Behavior Analysts, 3rd Edition, by Jon Bailey, Mary Burch

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Ethics for Behavior Analysts, 3rd Edition, by Jon Bailey, Mary Burch

This fully-updated third edition of Jon Bailey and Mary Burch’s bestselling Ethics for Behavior Analysts is an invaluable guide to understanding and implementing the newly-revised Behavior Analyst Certification Board (BACB) Professional and Ethical Compliance Code. Featured in this new edition are case studies drawn from the author’s real-world practice with hints to guide readers toward the ethical ‘solution’ and revised chapters, including how this new edition evolved alongside the revised Code and tips for succeeding in your first job as a certified behavior analyst. The complete, revised BACB Professional and Ethical Compliance Code is included as an appendix. This third edition improves upon what has become a go-to resource for behavior analysts in training and in practice.
 

  • Sales Rank: #12003 in Books
  • Published on: 2016-04-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.90" h x .90" w x 6.00" l, .0 pounds
  • Binding: Paperback
  • 406 pages

Review

“Ethics for Behavior Analysts, 3rd Edition by Bailey and Burch is another winner. It covers all the essential elements of ethics in an accessible and comprehensive manner. With valuable new chapters, the most up-to-date information, and numerous case examples that facilitate a problem-solving approach to ethical issues, this book is an invaluable resource. Students and professionals in behavior analysis should keep it close at hand.”―Raymond G. Miltenberger, PhD, BCBA-D, Professor, University of South Florida.

“The 3rd Edition of Ethics for Behavior Analysts is a "must read" for students of behavior analysis and seasoned professionals alike. It builds upon the huge success of the previous editions with the inclusion of Dr. Bailey's "Seven Step Model" for solving complex cases and new case examples aligned to the BACB Professional and Ethical Compliance Code. It will continue to be a staple in my graduate ethics classes.”―Rosemary A. Condillac, PhD, C.Psych., BCBA-D., Associate Professor, Centre for Applied Disability Studies, Brock University, St. Catharines, Ontario, Canada.

“This book is the ‘go-to’ ethics book for our field of applied behavior analysis. Bailey and Burch handle the universe of ethics with a perfect touch. Ranging from formal presentation of ethical requirements, to real-life examples that all readers will relate to, this book will raise the awareness of ethics and ethical conduct, which in turn will increase the chances that the clients who we serve will be treated humanely and safely.”―Thomas Zane, PhD, BCBA-D, Institute for Behavioral Studies, Endicott College.

“Bailey and Burch bring clarity to the BACB Professional and Ethical Compliance Code through cogent discussion of each element and thoughtful consideration of the myriad issues facing practicing behavior analysts. Practitioners of all levels will find valuable insight from numerous examples of real-life ethical dilemmas.”―Dorothea C. Lerman, PhD, BCBA-D, University of Houston, Clear Lake.

"What a great new edition... There is enough new content to make it feel like a 'new' read, even for those who have read the previous editions. At the same time this edition stays true to the familiar story-telling voice that Bailey and Burch use to make ethics compelling to those, new and old to the field. Navigating the field and the multitude of ethical dilemmas facing practitioners can be very isolating, and having the Bailey and Burch text helps alleviate it when you realize that there are behavior analysts out there questioning, thinking, and resolving some of these dilemmas for you. Thank you Bailey and Burch, can't wait for the next edition!" --Myra-Jade Lui, BCBA

About the Author
Jon S. Bailey, PhD, Emeritus Professor of Psychology at Florida State University, teaches graduate courses for behavior analysts. Dr. Bailey is a founding director of the Behavior Analyst Certification Board® and he is past president of the Association of Professional Behavior Analysts (APBA).
 
 
Mary R. Burch, PhD, is a Board Certified Behavior Analyst®. Dr. Burch has more than twenty-five years experience in developmental disabilities. She has been a behavior specialist, QMRP, unit director, and consulting behavior analyst in developmental disabilities, mental health, and preschool settings.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Great update
By Bad Panda
Great new examples. It expands on the last edition with more ethical guidelines. Very useful tool for the exam and leading an ethical career as a BCBA

0 of 0 people found the following review helpful.
Good core info
By Chandni Patel
This is a great and essential read for any individual becoming a behavior analyst. It is easy to read, actually enjoyable and relatable, as well as very useful.

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
This book satisfied all the requirements necessary for the purpose of the reading assignments given by the co-instructor.

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Senin, 21 Mei 2012

[P866.Ebook] Download Ebook A Face to the World: On Self-Portraits, by Laura Cumming

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A Face to the World: On Self-Portraits, by Laura Cumming

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A Face to the World: On Self-Portraits, by Laura Cumming

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A Face to the World: On Self-Portraits, by Laura Cumming

Focusing on the art of self-portraiture, this effortlessly engaging exploration of the lives of artists sheds fascinating light on some of the most extraordinary portraits in art history. Self-portraits catch your eye. They seem to do it deliberately. Walk into any art gallery and they draw attention to themselves. Come across them in the world's museums and you get a strange shock of recognition, rather like glimpsing your own reflection. For in picturing themselves artists reveal something far deeper than their own physical looks: the truth about how they hope to be viewed by the world, and how they wish to see themselves. In this beautifully written and lavishly illustrated book, Laura Cumming, art critic of the Observer, investigates the drama of the self-portrait, from Durer, Rembrandt and Velazquez to Munch, Picasso, Warhol and the present day. She considers how and why self-portraits look as they do and what they reveal about the artist's innermost sense of self -- as well as the curious ways in which they may imitate our behaviour in real life. Drawing on art, literature, history, philosophy and biography to examine the creative process in an entirely fresh way, Cumming offers a riveting insight into the intimate truths and elaborate fictions of self-portraiture and the lives of those who practise it. A work of remarkable depth, scope and power, this is a book for anyone who has ever wondered about the strange dichotomy between the innermost self and the self we choose to present for posterity -- our face to the world.

  • Sales Rank: #365982 in Books
  • Published on: 2010-09-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.69" h x 1.10" w x 7.44" l, 2.65 pounds
  • Binding: Paperback
  • 320 pages

Review
'Deserves a place of honour on every art lover's shelf!Tenderly, creatively written, jargon- and waffle-free, the book wears deep learning with an unaffected grace but touches!on truths beyond the protocols of art criticism.' Boyd Tonkin, Independent 'Intelligent, humorous, swinging freely between erudition and colloquialism. I immediately found myself at home in this book, feeling as though I'd been reading and thinking about this subject all my life.' Jonathan Coe 'Positively fizzes with ideas; just about every single paragraph contains a fresh observation' Nick Hornby, Observer, Books of the Year 'A literary as well as an artistic triumph' David Cox, Evening Standard, Books of the Year 'Laura Cumming combines great clarity of style with a wide range of taste. All aspiring critics of any art form should take a look at how much she can say in a short space.' Clive James 'A beautiful and intriguing book!though Cumming's book is stacked with visual masterpieces, it is her writing that most claims admiration. She notices every detail in a painting, the way a carpet folds, the varying textures in a dog's fur, and registers them with a poet's precision!she relies on keen observation, linguistic power and lots of knowledge. It adds up to the most enjoyable art book I have read for years' John Carey, Sunday Times

About the Author
Laura Cumming is art critic for the Observer. Previously, she was Arts Editor for the New Statesman and Arts Producer for the BBC.

Most helpful customer reviews

0 of 0 people found the following review helpful.
This is a wonderful book. It is well written and very informative
By jk
This is a wonderful book. It is well written and very informative, providing an interesting perspective on the subject. There are many illustrations, often large and in color. A number of reviewers have commented that some of the paintings the author discusses are not in the text. This is in fact true but I was able to find all of them on the internet without any dificulty

7 of 8 people found the following review helpful.
excellent, well organized book where the words are as important as the pictures
By will's mom
this book is mentioned in Nick Hornby's "More baths, less talking" really, how would we find it otherwise? but that would be a loss, this is a book that is worth every minute that you devote to it.

22 of 22 people found the following review helpful.
Five stars for the text, two at most for the illustrations
By Ralph Blumenau
I have always been fascinated by self-portraits, and so was delighted by the appearance of this book. Laura Cumming is a minute observer: her descriptions of the paintings have alerted me to many details of paintings of which I had previously been unaware. How many viewers of Van Eyck's Van der Paele Madonna, for example, would have noticed the portrait of (presumably) the artist in the tiny reflection on the armour of the attendant St George? The book has a detail of this passage in the painting, but the matt illustration is so muddy that it is completely useless and I had to go to Google Images to find a more readable version of it.

The illustrations are the weak part of the book, and some are really poor, for you cannot see many of the details to which the author refers: the glove which Sofonisba Anguissola is carrying or the important key tucked into the belt of Velasquez in Las Meninas; nor can you make out the cat and the dog at the bottom of Gumpp's self-portrait. In the reproduction of Carracci's, you can just about make out the dog, but not `the spectral cat'. The illustration of Kahlo's `The Wounded Deer' is cropped so that the word `Carma', referred to in the text, is lost. Also, increasingly so as the book proceeds, Cumming discusses a number of self-portraits by lesser-known artists, which are not illustrated at all (and are not available on Google Images either); and there are some paintings which she describes without giving their titles, so those cannot be looked up on Google anyway. That's all more than a little frustrating.

But the text is immensely rewarding. We learn such fascinating details as that the flowers in the mirror of Seurat's `La Poudreuse' were painted over what was originally a self-portrait, and Cumming's reflections on this are charming. Many fine essays have been written on Rembrandt's self-portraits, and, unavoidable as it is in a such a book, it cannot have been easy to produce another one; but she rises creditably to that challenge also. About the other great serial self-portraitist, Van Gogh, she argues eloquently that the pity they evoke is purely ours, and that there is no self-pity in the pictures themselves or in Van Gogh's mind.

There are fine passages about how artists have portrayed their hands, and about the transition from the painters' busy workshops to their cell-like studios, as part of the story of Romanticism. Cumming's analysis of Philip Guston's `Studio' is a real tour de force; and there is a lovely analysis of a triple self-portrait by Norman Rockwell. The penultimate chapter, entitled `Falling Apart', shows how photography especially (but inspiring the work of painters also) can show the multiple aspects and/or masquerades of an artist's Self, or indeed convey the sheer elusiveness of what we mean by the Self: a very post-modern theme.

These are just a few of the many felicitous passages in Cumming's text. You may not in every case agree with her reactions and interpretations, but they are always worth thinking about; and what is irrefutable is the acuity of her perceptions, the range of her knowledge, the philosophical dimension of her thoughts, and her intense engagement with her subject.

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Sabtu, 19 Mei 2012

[S946.Ebook] Download Ebook Science's Strangest Inventions: Extraordinary but true stories from over 200 years of inventive history, by Tom Quinn

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Science's Strangest Inventions: Extraordinary but true stories from over 200 years of inventive history, by Tom Quinn

The history of science is littered with mad, bad and delightfully dotty inventions, from the bicycle that relied for its momentum on the rider waggling his head back and forth continually to the Improved Pneumatic Advertising Hat - a bowler that hurled a lit-up billboard into the air at the touch of a button - or the suitcase that turned into a small boat for the nervous ferry passenger. Here is the chance to sample, among other delights, Professor Ray's Nose Adjusting Machine, Admiral Popov's Circular Warship, The Perfect Sleeping Partner (a Japanese pillow shaped just like a man with an arm fitted at the right angle for a comforting cuddle) and last, but by no means least, Calantarient's Improved Dung Trap for Carriage Horses Employed by Ladies of Fashion and those of a Delicate Constitution.

  • Sales Rank: #3489094 in eBooks
  • Published on: 2015-06-04
  • Released on: 2015-06-04
  • Format: Kindle eBook

Review
Endlessly entertaining, these albums of mad miscellany abound with true tales of history’s strangest characters and events—from potty potentates to dotty inventions. A mind-boggling excursion through the byways of the bizarre.

From the Publisher
The history of science is littered with mad, bad, thoroughly astounding inventions. From the bicycle that required its rider to continually propel his head back and forth, to Professor Ray's Nose-Adjusting Machine, this is the ultimate guide to the forgotten gems of scientific invention.

About the Author
Tom Quinn is the author of 12 books, including "Angling in Art," "London's Strangest Moments," "Shooting's Strangest Days, "and "Wings Over the World: Tales from the Golden Age of Britain's Airlines," and the editor of "Country Business" magazine.

Most helpful customer reviews

3 of 3 people found the following review helpful.
A grand topic poorly executed
By The Mohawked Reviewer
From a structural and editorial standpoint, Quinn's book leaves much to be desired. Each of the 200 'inventions' is given less than two pages resulting in a very fragmented presentation that causes the reader to hop from one topic to the next with no hope whatsoever of a reasonable transition. Clearly this is someone's blog born into book. The reader would have been much better served with an extended description of each, some cultural context and even maybe an illustration. As it stands, just as you're starting to get interested in something it's time to move on to something completely different.

Despite its technical faults, the author has chosen a fine and interesting topic. His description of the "make your own dimples" kit (complete with scalpel and sutures) and the mousetrap that results in shooting the mouse with a large caliber revolver will make it into my party conversation for quite a while. These, along with the anti-masturbation underwear and nuclear fallout tent, do prove his thesis that humans in their infinite inventiveness have really tried just about everything. Unfortunately, some of the editorial issues do make me wonder about the veracity of many of the claims made. At several points Mr Quinn mentions the same wacky 'innovation' under multiple headings and repeats the exact same story making me doubt the care with which any of these are constructed. This generally erodes confidence so that I may repeat his work in casual conversation but I will certainly not stake any bar bets on the correctness of anything he described.

To summarize, the book is an entertaining one but best suited perhaps as a bathroom reader. Sitting down to read it from cover to cover leaves one with a rather dubious taste in one's mouth. A further point of entertainment should be noted in that the author is from the United Kingdom. As a result, his repeated references to Americans as "gigantically fat" and obsessed with their pets is highly amusing if not accurate.

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Rabu, 09 Mei 2012

[A557.Ebook] PDF Ebook 75 Blues Turnarounds, by Toby Wine, Michael DoCampo

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75 Blues Turnarounds, by Toby Wine, Michael DoCampo

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75 Blues Turnarounds, by Toby Wine, Michael DoCampo

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75 Blues Turnarounds, by Toby Wine, Michael DoCampo

(Guitar Educational). Add to your blues toolbox! This book/CD pack teaches 75 turnarounds over common chord progressions and in a variety of styles, including those of blues guitar greats like Albert King, Johnny Winter, Mike Bloomfield, Duane Allman, Jeff Beck, T-Bone Walker and others. Excellent material for performance and practice, with detailed info for every example. The accompanying CD includes recorded demos of all 75 turnarounds to make learning easy!

  • Sales Rank: #676046 in Books
  • Published on: 2011-02-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .14" w x 9.00" l, .38 pounds
  • Binding: Paperback
  • 36 pages
Features
  • Brand Name: Baker and Taylor Mfg#: 9781575609713
  • Shipping Weight: 0.38 lbs
  • Manufacturer:
  • Genre:
  • All music products are properly licensed and guaranteed authentic.

Most helpful customer reviews

5 of 5 people found the following review helpful.
Some Cool Turnarounds
By Steve
Of these 75 turnarounds I intend to add 32 of them to my blues vocabulary. I think that is fantastic! Really I found most, if not all of them to be highly useful in the right situation, but since I am going for a certain kind of sound for my playing, I will probably only use about half of them. Because the book covers a variety of styles and artists, I think there is something for almost any blues player in this book/cd. I find these turnarounds to be very tasteful, somewhat unique and highly usable. With a little bit of twisting on your own they could also be used for intros/outros as well, which would make this book even more valuable. This is the only book I intend to purchase on this subject. After mastering this book, if I want more turnarounds, I will be pulling them right off of my favorite players. I say buy it and don't look back.

1 of 2 people found the following review helpful.
Four Stars
By BlueRick
A great way to learn licks...

0 of 2 people found the following review helpful.
Great Course for Blues
By Thomas Brough
Very NIce, I haven't had the chance to work through all exercises

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Minggu, 06 Mei 2012

[K931.Ebook] Free PDF Cost-Benefit Analysis, Concepts and Practice, by CTI Reviews

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Cost-Benefit Analysis, Concepts and Practice, by CTI Reviews

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  • Sales Rank: #2517029 in eBooks
  • Published on: 2016-08-08
  • Released on: 2016-08-08
  • Format: Kindle eBook

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