Kamis, 27 November 2014

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Kobe Bryant: An Unauthorized Biography, Book 4, by  Belmont and Belcourt

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Kobe Bryant is one of the greatest basketball players of all time. His talent, passion, and will-to-win is known worldwide. He is a philanthropist, an endorser, an entertainer, and possibly a criminal. He is an intellectual, a man who speaks multiple languages. He was born a great athlete and became an even greater one. He is a complicated family man, a misunderstood leader, and an enigma to some. To others, he is truly one of the greatest athletes ever, one who can do things on a basketball court that no other human can do. Many people love him, some hate him, but no one can ignore him.

Most fans are aware of his accolades on the court and his controversies off the court, but in order to truly understand Kobe Bryant, you must first understand where he came from. This unauthorized biography explores Bryant's upbringing, his high school career, and details his breakthrough into the NBA, all the way through June 2013. From family to basketball to the future, all you need to know about Kobe Bryant is right here, right now, in the most up to date coverage of his life.

This book also includes all of Kobe Bryant's NBA statistics.

Topics include:

  • Kobe Bryant: the player
  • Who is Kobe Bryant?
  • Early years
  • NBA career
  • International career
  • The arrest
  • Shaq
  • And much more...
    • Sales Rank: #133833 in Audible
    • Published on: 2014-07-07
    • Format: Unabridged
    • Original language: English
    • Running time: 85 minutes

    Most helpful customer reviews

    0 of 0 people found the following review helpful.
    Awesome Basketball Player
    By Tisha Estes
    I love Kobe Bryant. He is an awesome basketball player and can be compared to anyone. He is super. Glad he was able to get his personal life together and hope to see him back in the NBA healthy. He is a dominant force and will never be forgotten.

    0 of 2 people found the following review helpful.
    Worth the $
    By very fun
    It's worth the 3 or 4 dollars a recommend buying it. It is a really good basket ball book .

    0 of 2 people found the following review helpful.
    Cool
    By Miss Sharlene
    It was so cool and a lot of fun and a great way to read this book is to be able to read

    See all 3 customer reviews...

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    Rabu, 26 November 2014

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    Tom Peters says "Hal Rosenbluth's story is one of the great unsung business success sagas -- and in this fully revised and updated 10th anniversary edition of The Customer Comes Second, Rosenbluth and his co-author Diane McFerrin Peters offer proof that his leadership style is one for the new millennium.

    The secret of his success, and that of his company, Rosenbluth International is simple: Hal Rosenbluth concentrates on his employees first, and his customers second. This is a formula that has worked for more than two decades, and has transformed his company from a small family business into a global industry leader, grossing over $6 billion.

    In this classic on counterintuitive management practice, the entrepreneurial genius and visionary leader of Rosenbluth International shows you how to use exceptional service to win in any industry!

    This insightful and compelling book reveals new ideas for hiring, motivating and managing employees, and shows how best to integrate technological innovation and creative solutions into the everyday work experience to ensure that your employees -- your company's greatest asset -- win you the best customers and propel your business to the greatest heights of success.

    Rosenbluth's tried and tested methods show you how to build highly effective teams, inspire loyalty and initiative, and turn your workplace into a hotbed of synergy where people produce consistently incredible results.

    For more than ten years, the strategies and ideas in this book have galvanized CEOs, entrepreneurs and managers everywhere, making fans of business leaders and thinkers like Jeff Greenfield, Scott McNealy and many others. These secrets continue to prove themselves today as Rosenbluth International has rapidly emerged as the foremost travel management company since its industry’s devastation following 9/11. Find out how Hal Rosenbluth's winning ideas can transform you and your company: by putting your customer second, you're guaranteed to win!

    • Sales Rank: #173627 in Books
    • Published on: 2002-08
    • Released on: 2002-08-20
    • Original language: English
    • Number of items: 1
    • Dimensions: 9.00" h x 1.01" w x 6.00" l, 1.05 pounds
    • Binding: Hardcover
    • 304 pages

    From Publishers Weekly
    In an update to the volume they published 10 years ago, Rosenbluth, the CEO of an eponymous travel management company, and Peters, his former communications officer, remind readers that despite great changes in the business world, the need for companies "to attract, retain, and develop astonishingly great people" is a constant. They argue that company's employees, not its customers, should be management's top priority: managers should hire "nice people" and create an environment in which friendships can develop. Maybe it sounds a little wishy-washy, but it's worked for Rosenbluth International (NB: they have a 98% customer retention rate and $6.2 billion in annual sales). Tenets include: monitor company morale, keep leaders accessible, make your company "a lifestyle," offer lots of opportunities for learning new things, celebrate success, be flexible. By charting the changes within their own company, Rosenbluth and Peters show how other businesses can become better places to work as well.
    Copyright 2002 Reed Business Information, Inc.

    Review
    "Hal Rosenbluth's story is one of the great unsung business sagas of the 80's and 90's." -- -- Tom Peters

    About the Author

    Hal Rosenbluth's company has been profiled in many of the nation's leading publications, including The Wall Street Journal,the Harvard Business Review,and Inc. magazine.

    Diane McFerrin Peters is director of corporate communications for Rosenbluth Travel. Both are popular lecturers.

    Most helpful customer reviews

    28 of 29 people found the following review helpful.
    The Customer Comes second may take your company to 1st place
    By A Customer
    The Customer Comes second may be just what your company needs to bring FUN back into the workplace while your customer's benefit from incredible innovative customer service. This is a multi faceted book jam packed with creative ideas to help your company. Hal Rosenbluth & Diane McFerrin Peters share Rosenbluth's secrets to becoming the Global Travel Management Firm they are today while also having been named one of the Top Ten Best Companies to work for! I have used these ideas repeatedly to help my company, and I am already beginning to see the positive effect that putting my employees first is having on them as well as on my clients. What a great message this is in today's world. I was reviewing some ideas in the book recently while traveling & the person next to me had read it, and was raving about it's unique content & practical approach. I highly recommend reading this book. It stands above the rest on the never ending bookshelf of business self help books.

    1 of 2 people found the following review helpful.
    The Customer Comes Second may take your company to 1st place
    By A Customer
    The Customer Comes Second may be just what your company needs to bring FUN back into the workplace while your customers benefit from incredible innovative customer service. This is a multi faceted book jam packed with creative ideas to help your company. Hal Rosenbluth & Diane McFerrin Peters Share Rosenbluth's secrets to becoming the Global Travel Management Firm that they are today while also having been named one of the Top Ten Best Companies To Work For! I have used these ideas repeatedly to help my company, and I am already beginning to see the positive effect that putting my employees first is having on them as well as on my clients. What a great message this is in today's world. I was reviewing some ideas in the book recently while traveling & the person next to me had read it, and was raving about it's unique content & practical approach. I highly recommend reading this book. It stands above the rest on that never ending bookshelf of business self help books.

    9 of 10 people found the following review helpful.
    Valuable advice, especially in a tight labor market
    By A Customer
    I had the pleasure of attending a speech by one of the authors of this book, and was very impressed with the business philosophy and subsequently with the book itself. Any company desiring to remain competitive, and even to excel, in today's excruciatingly tight labor market could benefit from the ideas and concrete, real-life (and very interesting) examples provided. Any consumer can tell a story or two about the very positive or negative image a company projected through one of its employees--the "face" that company presents to its customers, for better or worse. This book is a real wake-up call to industry, and offers substantive advice which can improve any business from the ground up. Greater employee loyalty and enthusiasm, plus the concomitant benefits to customers, could result from implementation of these sound ideas. As a business owner of many years, I recommend the book very highly.

    See all 23 customer reviews...

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    • Sales Rank: #11508 in eBooks
    • Published on: 2015-07-29
    • Released on: 2015-07-29
    • Format: Kindle eBook

    Most helpful customer reviews

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    Turner: The Extraordinary Life and Momentous Times of J.M.W. Turner, by Franny Moyle

    The life of one of Western art's most admired and misunderstood painters
     
    J.M.W. Turner is one of the most important figures in Western art, and his visionary work paved the way for a revolution in landscape painting. Over the course of his lifetime, Turner strove to liberate painting from an antiquated system of patronage. Bringing a new level of expression and color to his canvases, he paved the way for the modern artist.
     
    Turner was very much a man of his changing era. In his lifetime, he saw Britain ravaged by Napoleonic wars, revived by the Industrial Revolution, and embarked upon a new moment of Imperial glory with the ascendancy of Queen Victoria. His own life embodied astonishing transformation. Born the son of a barber in Covent Garden, he was buried amid pomp and ceremony in St. Paul's Cathedral.
     
    Turner was accepted into the prestigious Royal Academy at the height of the French Revolution when a climate of fear dominated Britain. Unable to travel abroad he explored at home, reimagining the landscape to create some of the most iconic scenes of his country. But his work always had a profound human element. When a moment of peace allowed travel into Europe, Turner was one of the first artists to capture the beauty of the Alps, to revive Venice as a subject, and to follow in Byron’s footsteps through the Rhine country.
     
    While he was commercially successful for most of his career, Turner's personal life remained fraught. His mother suffered from mental illness and was committed to Bedlam.  Turner never married but had several long-term mistresses and illegitimate daughters. His erotic drawings were numerous but were covered up by prurient Victorians after his death.
     
    Turner's late, impressionistic work was held up by his Victorian detractors as example of a creeping madness. Affection for the artist’s work soured. John Ruskin, the greatest of all 19th century art critics, did what he could to rescue Turner’s reputation, but Turner’s very last works confounded even his greatest defender.
     
    TURNER humanizes this surprising genius while placing him in his fascinating historical context. Franny Moyle brilliantly tells the story of the man to give us an astonishing portrait of the artist and a vivid evocation of Britain and Europe in flux.

    • Sales Rank: #36983 in Books
    • Published on: 2016-10-25
    • Released on: 2016-10-25
    • Original language: English
    • Number of items: 1
    • Dimensions: 9.31" h x 1.50" w x 6.31" l,
    • Binding: Hardcover
    • 528 pages

    Review
    “[Moyle’s] history flows attractively… her text keeps us aware of the Europe-wide wars…These wars and the meteorological melodramas devised on his easel seem to complement one another, each shining a lurid stormlight on what Moyle dubs an ‘epic’ era. Her book stirs with its suggestions of the interconnections…. Moyle… lend[s] Turner a rounded and sympathetic persona.” —The New York Review of Books

    “Moyle carefully documents Turner’s impact on European art, and she includes a selection of color plates to illustrate the evolution of his work. Turner’s unconventional life also makes fascinating reading. This biography is highly recommended.”— Historical Novel Society 

    “A textured portrait of a complex artist…. Moyle proves herself a critic whose erudition stems from countless hours smelling the paint and gazing at brushstrokes, as well as a biographer who’s spent time in the archives, analyzing sketch books and hunting down letters… As a general biography, ‘Turner’ is excellent. Moyle’s background as a television producer comes through in her engaging narrative structure, and her beautiful prose conveys Turner’s glittering work and the sheer scope of his achievements.”— Washington Post

    “An exemplary work… Moyle explores the whole of his long life, expertly charting the artist’s development from his precocious conquering of the Royal Academy to his late, experimental paintings. Moyle is especially good at delineating Turner’s artistic methods and her enthralling account is filled with an impressive understanding of his unique talent.”– Ian Critchley, Sunday Times

    “A thorough, balanced and wonderfully fluent account. Franny Moyle [is] one of the best in the long line of ]Turner’s]  biographers. One of Turner’s many achievements was to paint Britain in all its moods … and show his peers the real nature and variety of their own country.  In her immaculate biography Moyle has done something similar with the man himself.”— Michael Prodger, Times

    “Moyle is good on Turner’s momentous times, interweaving history, the history of art and the public’s attitude toward art.”— Claudia Fitzherbert, Telegraph

     “It is hard, on one level, to believe his sublime canvases ... come with a character attached at all. But Moyle tells the human story well in a book of rigorous scholarship and beauty…She offers an earthy, warts-and-all depiction of the Romantic master JMW Turner that is shaped by the dogged realism of a low-born man who had an exceptional artistic vision…This is well written and meticulously researched…All we once had left of Turner were his paintings, now we have another vibrant biography to commemorate his art, and where it took us.”— Lorraine Courtenay, Irish Independent

    “Elegant and thorough…Moyle’s superb evocation of these aspects of her subject allows us to see Turner less as the “misunderstood genius” who moved in a sphere untouched by the realities of the day, and “more as an arch manipulator and central player in the great game of art that evolved across the late 18th and 19th centuries, a man praised to the hilt by a great many of his contemporaries [who] acknowledged his significance in the creation of the idea of the independent artist”. It is to Moyle’s credit that she is able to make this persuasive case while narrating Turner’s life with verve, intelligence and insight, and while bringing to life the world in which he lived with care and subtlety. This is a biography that leaves you with a fresh impression of both Turner and his time. It frees its subjects from myth, and imbues them with the quality of wonder.”— Matthew Adams,  I News

    “Franny Moyle tells a compelling story of a self–taught prodigy... A restless painter who always sought new forms of expression in watercolour and oils. Moyle is an unpretentious art historian, and she has written an inviting and easily digested biography of the best of British painters.”– Stephen Fay, Economist

     “Moyle's art-historical perceptions make this detailed and beautifully balanced biography a compelling read... Turner emerges from it larger...  revealed as a man of his moment.”— Brian Morton, Scottish Herald

    “Miss Moyle tells a very good story. She is sound on the art without allowing art historicism to weigh her down. She is also excellent on the complicated politics of the Royal Academy. We get a feel for the man in all his cantankerousness and eccentricity, but she also brings out the humour and —at least after he had made his own fortune—the generosity, especially towards his fellow artists.”—Country Life

    “Detailed and persuasive.”—Andrew Marr, BBC Radio 4 Start the Week

    “Moyle is good on Turner’s momentous times, interweaving history, the history of art and the public’s attitude toward art.”— Sunday Telegraph

    “A biographical must-read… The words on the page offer views every bit as captivating as Turner’s ageless panoramas.”—Summer Read, Big Issue

    “Moyle is excellent at establishing these stylistic contexts. ... her art-historical perceptions are what make this detailed and beautifully balanced biography so compelling a read. It's rare that one finishes a modern biography feeling that the subject has been enhanced and not merely dissected. McKern and Spall can step aside. The real Turner is onstage.”—Herald

    “In rip-roaring style… [His life provided] rich pickings for any biographer, and Moyle gives them the drama they deserve. Moyle is consistently perceptive about Turner’s work. Her narrative is as colourful as it is pacy.”—John Preston, Daily Mail

    “What Ruskin misses, but Moyle writes about so persuasively, is Turner's ambition.”—Four star review, Laura Freeman, Mail on Sunday

    “Like all good storytellers, Moyle begins with high drama… a popular rather than scholarly work… the author enlivens her tale with perfect details… [an] excellent biography.”--Kirkus (starred)

     “Franny Moyle’s biography…is a fat, satisfying popular history of the man who was arguably Britain’s greatest painter. Ms. Moyle has not written academic art history; she is entertaining on Turner’s life and good on his times.” —The Economist

    “Fresh and lively… Turner’s life is given a vivid colour and depth as Moyle deftly interweaves his professional career with his private life. Moyle writes with sensitivity about individual pictures and series, and is good at explaining the context.” —BBC History Magazine

    “Moyle’s [book] is… satisfying, not least because it allows for the intimacy of reading. Less is more when it comes to biography – and Moyle gives Turner’s restless life a perspective and a frame.” —The New Statesman

    “Franny Moyle’s biography…is a fat, satisfying popular history of the man who was arguably Britain’s greatest painter. Ms. Moyle has not written academic art history; she is entertaining on Turner’s life and good on his times.” —The Economist

    About the Author
    Franny Moyle studied Art History at St John's College, Cambridge. She enjoyed a career in arts programming at the BBC that culminated in her becoming the corporation's first Commissioner for Arts and Culture. She is now a freelance executive producer and writer and lives in east London. She is the author of Constance: The Tragic and Scandalous Life of Mrs Oscar Wilde and Desperate Romantics: The Private Lives of the Pre-Raphaelites.

    Excerpt. © Reprinted by permission. All rights reserved.
    1. Admiral Booth

    A wet, wintry day in mid-December 1851. The man from Mrs Foord's frame-makers stood in the rain and knocked on the door of 47 Queen Anne Street in Marylebone, the professional address of the most famous living British artist, J. M. W. Turner RA. Foord's man had work to do there.

    'Turner's Den', as it had become known, looked more like the premises of a painter long dead than the workplace of a living legend. The quiet classical frontage, which once sat respectably alongside the street's other examples of Georgian restraint, had been let go. The windows were filthy, their cracked panes patched with paper. The paint on the front door had blistered and the iron palisades were rusty.

    A short hag of a woman answered the frame-maker's knock. Her large head was draped with a piece of flannel, striving to conceal a nasty skin affliction. This was Hannah Danby, Turner's long-time housekeeper. She led Foord's man into a square vestibule barely illuminated by the neglected arched windows to either side of the door, which had become caked with dust. The hall was an empty brown space, bereft of ornament.

    As he followed Danby upstairs, the gothic adventure continued. The tradesman was led into the top-lit custom-made gallery where Turner's paintings were displayed. The rain was 'flooding in by the skylight', Foord's man would later remember. 'Turner would not pay for plaster - so they had to put paper as well as they could - several pictures damaged.'

    Foord's man saw nothing of Turner himself the day he worked in his rain-soaked gallery. This was not unusual. The old painter had become increasingly retiring in his dotage, and over the last twelve months or so had even begun absenting himself from his business engagements at the Royal Academy.

    For Hannah Danby, however, it was less her master's absence from his professional commitments that was of concern. It was his absence from his own home that was causing her considerable anxiety in December 1851. The seventy-six-year-old Turner had not set foot in Queen Anne Street since June. This was not entirely out of character for a man who for the last five years had, clearly, been keeping a second home, and from whom she was used to receiving instructions via the postboy. But as Christmas approached, Hannah Danby was beginning to fret. She did not know exactly where her master's second home was, and she sensed something was wrong. She began to search for anything that might suggest its location. A letter discovered in a coat pocket with a Chelsea address was what she needed.

    And so on 16 December Hannah Danby sought out a friend, probably Maria Tanner, the woman who assisted her in the care, such as it was, of Queen Anne Street, and the two of them headed south to Chelsea. They found themselves on the stinking Cremorne New Road, a small lane along the Thames that ran from the old wooden Battersea Bridge to the Cremorne Jetty, where penny fares brought revellers by steamboat to the Pleasure Gardens of the same name.

    Skirting a muddy foreshore, smelling of the open drains that spilled into the river and peppered with dogs and chickens picking their way through the flotsam and jetsam of the river, Cremorne New Road presented a sharp contrast to the grandiose streets of the West End. Nevertheless, here, facing the timber yards and chemical works of Battersea, was a row of cottages that made up Davis Place. And at No. 6, between Alexander the boat builder and a couple of beer sellers, she found a modest yellow brick house, dating from the 1750s.

    Despite the seedy location, it was charming enough in its own way - a three-storey, mid-terrace house, fronted by a low wooden picket fence and gate that contained a cottage garden, it betrayed the personal touches of domesticity that accompany a lengthy tenancy. A wooden lattice porch over the front door housed potted plants and a caged starling. The property's three front-facing windows all had lovingly planted window-boxes, and creepers had been allowed to grow up from one of them and crawl over the uppermost reaches of the fa?ade. But most significantly, in contrast to the neighbouring houses, No. 6 had been customized, at no little expense, to accommodate a high-level balcony or viewing platform, which, cut into the roof and contained by wrought-iron rails, offered an artist a bird's-eye view of London's river stretching out below.

    But Turner was not on his platform the day Danby called. And though she quickly ascertained from neighbours that a man fitting her master's description was at home, she also discovered from the hushed tones and shaken heads that they believed he was dying. On hearing this news, Hannah could not bring herself to go in. Instead, distraught, she determined to seek the assistance of Turner's cousin and solicitor, Henry Harpur.

    Henry Harpur lived in Lambeth. He was seventeen years his cousin's junior. The Harpurs and the Turners were strongly entwined. They shared not just blood, but plenty of family business, not least the final revisions Turner made to his will. They had also travelled together on the Continent. On 17 December he visited Chelsea at Hannah Danby's request.

    The interior of the little house in Chelsea was modestly furnished, though its few contents reflected the interests of its occupant. The Art Journal and Illustrated London News were on the parlour table; the walls were hung with engravings. Here, on the uppermost storey, Harpur found the old painter in a soporific haze, having been spoon-fed for the past few days a diet of milk and brandy. He had lost all ability to talk. The bird-like man, whose intense gaze and beaky nose had once complemented a robust, if short, square frame, was now a mere waif, ebbing away. He was being nursed by plump and homely Sophia Booth, the woman who shared his life at No. 6 Davis Place. She was a widow, more than twenty years the painter's junior.

    Harpur grasped the seriousness of Turner's condition immediately and knew that he must begin to prepare the world for the departure of one of its most eminent men. The very next day, 18 December, he wrote to Turner's long-time family friend, the architect Philip Hardwick, warning him that Turner's demise was imminent. Hardwick, now turning sixty, white-haired and balding, was the spitting image of his own father, who had known Turner as a boy. Like the Harpurs, the Hardwicks had shared a long history with the Turners.

    A day later another note from Harpur was in Hardwick's hand. Turner was dead. He had passed away at 10 a.m. on 19 December. Hardwick had been deprived of the opportunity of saying goodbye to a friend who had known him man and boy. But on 19 December Harpur, no longer constrained by his eminent cousin's instructions, furnished Hardwick with the details of the whereabouts of the body. Hardwick alone was afforded this privilege and he went straight away to Davis Place to say his goodbye.

    Harpur met Hardwick at the little house in Chelsea. It must have become immediately clear to both men that the circumstances of Turner's death could, if not properly managed, erupt into a national scandal that would eclipse the plaudits for his extraordinary work and compromise his ardent desire to be buried in honour in St Paul's Cathedral. After all, Turner had not only been discovered in an insalubrious location, in an undisclosed second home, he had also been discovered living in what much later would be described as a state of 'moral degradation'. Taken alongside his recent reclusivity, and the state of affairs in Queen Anne Street, this new twist in Turner's story was an unwelcome one. Were it to become public knowledge, it would only add fuel to the persistent theories in circulation that the old painter had lost his mind during the course of the last decade.

    These allegations of madness had been prompted by what his public considered the increasingly bizarre and indecipherable paintings Turner had produced across the 1840s, works that critics were not afraid to condemn as utter 'abortions'. For the last decade he had turned out canvases that explored light, and the elements, in unique and highly experimental ways. Ships rocked, whales thrashed, and trains sped through raging storms and whirling mists that were unlike anything that had been presented to the public before. In what often felt like dreamscapes, the sunsets and sunrises he had once been so famed for painting with delicate luminosity had become substantive. His ghostlike characters were no longer bathed in light but swept up by it, in a parallel world of fog and fiery chaos.

    Harpur understood only too well that if the true circumstances of Turner's death were to become widely known, it would be all too easy for the public to dismiss his final decade of toil and experiment. How convenient for Turner's critics to be able to confirm that the exquisite painter had indeed departed some ten years previously, leaving just this Chelsea relic to finish his career. A reputation already much dented was on the cusp of being roundly destroyed. Turner's fame was on the point of tipping into infamy.

    As Hardwick left Davis Place he took with him a letter he saw that Turner had written to the stockbroker Charles Stokes. Apart from being a close friend, Stokes, a man now well into his sixties, had been both a dedicated collector of Turner's work for many years, and a business associate who oversaw some financial matters for him.

    'Dear Stokes,' Turner had written. 'Enclosed is a wish for Mr F Marsh to advance on my account £100. I do not like the debts of Mr Woods - not paid. Have the goodness to do it.' These were almost certainly the last lines the artist wrote.

    Now Hardwick scribbled his own postscript. 'Knowing the interest you have taken in all matters connected with Mr Turner,' he wrote, 'I thought you should be informed that we have lost him.' The letter reached Stokes's rooms at 4 Verulam Buildings, Gray's Inn Road, the very next day, 20 December.

    As Stokes grieved in Gray's Inn, the news of Turner's death spread further through his closest circle. On 21 December, a stormy Sunday, another black-bordered envelope found its way to Denmark Hill. John James Ruskin returned wet and wind-swept from church to find correspondence from Thomas Griffith, Turner's agent. Griffith explained that he had not wanted Ruskin to discover news of Turner's demise in print.

    John James Ruskin was exactly the same age as Charles Stokes. Both had been born in 1785, and were ten years Turner's junior. Like Stokes, Ruskin considered himself a friend of the artist. Ruskin had built a considerable fortune as a wine merchant, and with it he had indulged his son John's passion for Turner's work. John Ruskin junior had adored Turner's painting since he was a boy. As an undergraduate at Oxford he had written a defining defence of the artist's work that had launched his own career as the most pre-eminent art critic of his generation. Thanks to his father's generosity, he now had twenty-five watercolours as well as two oil paintings by the artist - a collection that at this stage still hung in the family home.

    From the elder Ruskin's point of view at least, the timing of Turner's passing was somewhat ironic. Just three days earlier he had been bidding at Southgate and Barrett's Christmas sale for a watercolour by Turner, of Carisbrooke Castle, on the Isle of Wight. That evening, the Fleet Street sale-room had been packed to the brim with dealers and collectors. But Ruskin, a man who had not become rich by spending his money freely, had sent his picture framer to bid for him, under express instruction not to pay above fifty guineas for the work, only to see it go to a dealer prepared to pay £80.

    On reading Griffith's note John James now sat down solemnly, in front of another of Turner's watercolours that hung at Denmark Hill. It was The Red Rigi, painted nearly a decade earlier, a depiction of the mountain that dominates Lake Lucerne in Switzerland, bathed in a fiery red evening glow. And then he picked up his pen to write to his son, who had been in Venice since September:

    I have another loss to announce ... Mr Turner - I can say no more till I go to Norwood and see Griffith who kindly sent me a note this forenoon during Church ... a suitable day for the intelligence - the shortest and darkest - wet & tempestuous ... I thank you for ... a liking for the Red Rigi for the solemnity of that picture has fed & soothed me like a dead march all this evening. It is the only picture I care for tonight - I earnestly hope you will not let this hurt your health - There is no power gone exactly with his Life for his power had already departed - & you seemed to be prepared for this event.

    Once unburdened of its grave intelligence, John James's letter revealed another reaction to news of Turner's death - a commercial one. He had recently put aside £650 for the purpose of enlarging his collection of Turner's work further. Now John James was regretting letting Carisbrooke Castle go. But he realized that with the artist's death a huge amount of new work would most likely come on to the market with the sale of his estate. It would be an opportunity that the Ruskins must be prepared for.

    'I do not think you need distract your arrangements to acquire any remains,' he suggested. 'There is little chance of Executors bringing anything to sale till ... May or June - but please tell me all you want. There will be excitement & high prices as in Wilkie's case in the period of his Death which will afterwards give way.'

    Over the next few days Ruskin continued to ponder the market ramifications of Turner's death, news of which had not yet broken in the press. Despite the imminence of Christmas, he was impatient to find out more about the disposal of Turner's estate.

    On 22 December he wrote to his son again, this time explaining: 'Mr Griffith ... has gone to a meeting of Executors ... No one at present knows where he died but they promise to let us know particularly and there will be plenty of time for you to say what you wish.'

    Harpur and Hardwick, meanwhile, had been busy making sure that despite the increasing curiosity as to the place of Turner's departure from mortal life, no one would find out. They had been swift in removing Turner's body from Chelsea and installing it where Turner should have died, in his professional premises at Queen Anne Street. A lavish hearse had arrived in Davis Place along with a large, expensive and heavy coffin, lined with lead and satin. Bemused locals watched as the undertakers, more used to the spacious homes of wealthy clients, could barely get the coffin through the door, and when it failed to go up the narrow stairs, the men were forced to bring the body down to it.

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    • Sales Rank: #2687983 in Books
    • Published on: 2003-05-12
    • Original language: English
    • Number of items: 1
    • Dimensions: 9.50" h x 2.10" w x 8.20" l, 4.49 pounds
    • Binding: Hardcover
    • 998 pages

    Review

    From reviews of the third edition:

    "An absolute must for all radiologists and residents"

    "The grandfather of, and gold standard for, all texts dealing with differential diagnosis"

    "The book most used in the course of a working day"

    From the reviews of the fourth edition:

    "The fourth edition of the Gamuts in Radiology maintains its traditional focus by providing complete and accurate lists of differential diagnoses. … the primary purpose of this reference is to serve as an encyclopedic guide for the radiologist … . radiologists will likely find this book most helpful … . a learning tool for radiologists who are in training and as a refresher for radiologists who are in practice. … it would be a welcome addition to radiology reading rooms." (Jesse Wei, and Phillip M. Boiselle, Radiology, July 2004)

    From the reviews of the fourth edition:

    "The latest edition of this book continues its emphasis on differential diagnosis with the addition of more than 250 new gamuts as well as updating of existing gamuts. … The purpose of the book remains to provide complete and accurate lists of differential radiological diagnoses. … This latest volume will continue to be an essential reference book for departmental libraries where it will be of value both to trainee and consultant radiologists … ." (Dr. D R Foster, RAD Magazine, November, 2003)

    Most helpful customer reviews

    2 of 2 people found the following review helpful.
    Must have reference.
    By RadMan
    Occasional help for boards ddx lists, but most helpful on call when you see an abnormality for which you need an appropriate ddx. This book has never let me down. No pictures. Pretty much just a list of ddx organized by finding. The lists are well referenced if you need additional info and/or pics. I like it much better than Dahnert.

    0 of 1 people found the following review helpful.
    Laundry list.
    By Khiet2001
    Not nearly as useful as I had hoped. There aren't differentials for everything, but hey who's perfect? The problem is that although they are arranged by anatomy, they seem too incomplete/random to use as a reference. And who has the time to read through and learn which differentials are actually useful? Most, unfortunately, are just laundry lists without embellishment, listing the incredible obscure sometimes above the common entities. And you'll need to make your own mnemonics. I thought this was a classic, but I think it's more of an antiquity. The google machine is probably more efficent. I'll give it two stars for great price, great condition (it was supposedly used, but looked perfect and shrink wrapped), and prompt shipping.

    See all 2 customer reviews...

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    • Binding: Audio CD

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    The fight is nearly over. His reign of darkness is reaching its end.

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    His Final Secret is the fourth and final installment of the sword and sorcery series, Tears of Blood.

    • Sales Rank: #55321 in eBooks
    • Published on: 2015-08-25
    • Released on: 2015-08-25
    • Format: Kindle eBook

    Most helpful customer reviews

    16 of 17 people found the following review helpful.
    Not worth any price.
    By Jeff S
    I'm sorry but this was just beyond frustrating. You invest in 4 books in a series over months if not years of publication dates and this is the ending that we get. This isn't "artsy" or whatever the author was going for, it was annoying and a waste of time.

    Mild spoilers ahead:

    If we wanted to see the story come full circle with the world ending up in actually a worse position than before we could have skipped 3.75 books and just said "hey, nothing you read actually matters".

    10 of 10 people found the following review helpful.
    A Book without and ending
    By Donniebee
    I see the drive in the modern writer to write a story that is different. A story with something to make it stand out. But this... this is just a story without an end. Don't waste your time reading this well written, well imagined story because it's biggest failing is its ending and you will be as angry as I was. Drivel.

    8 of 8 people found the following review helpful.
    The ending negated a great series
    By Jonathan S Star
    I loved this series up until the last 50 pages. It wasn't just the plot twist, but the manner in which the twist turn key elements of the series into a gimmick. There was also a lack of resolution. Good over evil or not - it was disappointing not to have some epilogue to help us understand how the decision turns out.

    See all 67 customer reviews...

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    • Sales Rank: #1510770 in Books
    • Published on: 2016-08-09
    • Released on: 2016-08-09
    • Original language: English
    • Number of items: 1
    • Dimensions: 9.00" h x 1.42" w x 6.00" l, 1.81 pounds
    • Binding: Paperback
    • 568 pages

    Most helpful customer reviews

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    • Sales Rank: #57404 in Books
    • Published on: 2014-10-18
    • Released on: 2014-10-18
    • Original language: English
    • Number of items: 1
    • Dimensions: 8.44" h x .70" w x 5.50" l, .54 pounds
    • Binding: Paperback
    • 256 pages

    Review
    "Sister Madonna s story is one of purpose, conviction and passion. She dismisses boundaries and proves to us that nothing is impossible. "The Grace to Race" is both inspirational and energizing; long live the Iron Nun!"
    Dean Karnazes, "New York Times" bestselling author of "Ultramarathon Man"

    "Sister Madonna s courage and wisdom shine through the pages of this warm, funny and inspirational memoir. You'll learn a lot about finding joy, achieving your goals, facing hardships, loving God and the rest of those in the human race, and keeping a sense of humor about it all oh, and about running, too."
    Father James Martin SJ, author of "The Jesuit Guide to (Almost) Everything"

    "Sister Madonna's story is one of purpose, conviction and passion. She dismisses boundaries and proves to us that nothing is impossible. "The Grace to Race" is both inspirational and energizing; long live the Iron Nun!"
    --Dean Karnazes, "New York Times" bestselling author of "Ultramarathon Man"

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    --Mary Higgins Clark

    "Sister Madonna's courage and wisdom shine through the pages of this warm, funny and inspirational memoir. You'll learn a lot about finding joy, achieving your goals, facing hardships, loving God and the rest of those in the human 'race, ' and keeping a sense of humor about it all--oh, and about running, too."
    --Father James Martin SJ, author of "The Jesuit Guide to (Almost) Everything"

    "Sister Madonna is a genuine heroine, a person whose example we badly need. Not everyone is going to do a triathlon, of course, or even aspire to a marathon. But just getting out and moving can do wonders, and she's a beacon of hope."
    --Walter Bortz MD, author of "Aging for Dummies", "Dare to Be 100", and "The Roadmap to 100"

    "Sister Madonna proves you can make records, and break them all over again, at any age. Her spirit is without limits."
    --Dara Torres, Olympic gold medalist and author of
    "Age Is Just a Number"

    About the Author
    SISTER MADONNA BUDER, also known as "the Iron Nun," "the Flying Nun," and "the Mother Superior of Triathlon," is a Roman Catholic nun. She began running in 1978 at age 48. As of 2009, has completed 38 marathons and 325 triathlons. An inspiration to athletes and non-athletes, the religious and the secular, she has appeared in such publications as Runner’s World, U.S. News & World Report, Sports Illustrated, AARP Bulletin, USA Today, the Seattle Times, the Denver Post, Competitor Magazine, Triathlete Magazine, Ironman Magazine, More Magazine, and numerous others She lives in Washington Sate.

    Excerpt. © Reprinted by permission. All rights reserved.
    1


    The Miracle Finish—
    2006 Hawaiian Ironman

    Determination is the mind willing something to happen
    by the grace of God.

    Kona, Hawaii

    October, 2006

    I WAS A fourth of the way through the 2.4-mile swim course of the Hawaiian Ironman, wondering why I didn’t seem to be making any progress through the water. I raised my head, peering through my goggles at a landmark hotel on shore, and realized I wasn’t getting beyond it. I kept stroking, wondering what was going on in the ocean depths below. When I finally reached land, it was twenty minutes later than I had expected.

    In the transition area between the swim and the bike course, I peeled off my damp suit as quickly as I could. Every second counts in these races. When I got on my bicycle, it wasn’t long before I realized it didn’t matter if I had just gotten out of the ocean. The rain was coming down so heavily that I had to close my eyes every few seconds. This called for extra precaution, which slowed me down considerably.

    Ironman events, with their swim-bike-run requirement—140.6 miles in all, with a full marathon at the end—are grueling enough without this sort of weather. But there was no question of giving in to it, although it might be normal to wonder what I was doing out here at the age of seventy-six.

    Aside from the usual competitiveness involved in this famed annual event on the Big Island of Hawaii, I had my own special reason for wanting to finish. My nephew Dolph had died the previous month, quite unexpectedly. (It wasn’t until six months later that the coroner’s report said the cause was heart disease.) So I had been asking God for some kind of confirmation that he had died at peace and was in the right place. I made a kind of deal with God: If I could finish this race, I would know my nephew was at peace. That thought was in the back of my mind as I struggled through the ocean swim, and it was on my mind now, as I did my best to keep pedaling through the torrents of rain.

    By the time I got to the transition between the bike segment and the run, I was beginning to feel a little queasy, something that has happened to me on the run for the past ten years or so. My stomach doesn’t always cooperate with the rest of my body, and that condition forces me to walk almost the entire marathon.

    This time, after spending twenty-eight minutes in the bike-to-run transition, trying to get some nourishment down and get reconditioned for my death march, I managed to start out on the run, but had gone only about five of the 26.2 miles when a marshal on a moped came alongside me and began spitting out statistics: “You are three minutes down.” I was still trying to run, but thinking, “What is he telling me? Maybe he means I am three minutes from making the cutoff time. Guess I had better pick up the pace, whether or not I feel like it.” The Ironman rules require that you make the three disciplines of swim, bike, and run within a given time. The next time he encountered me, he prompted, “You’re doing better. You are up three minutes.”

    Three miles later came the deluge. It was coming down the mountain slopes and across the road in a river ankle-deep. I had on my lightest running shoes, yet I could barely lift my feet. Afraid the current was going to knock me down in my weakened state, I got the inspiration to cross over to the other side of the road, moving on a diagonal toward the sidewalk. As I stepped on the submerged curb, my foot slipped, which sent me sprawling. I didn’t even take time to see if I was gushing blood, figuring the rain would take care of that. It looked as if everyone, even the marshal, had headed for dry cover. However, this couple appeared suddenly from nowhere and yanked me to my feet.

    It had gotten cooler, and I was sopping wet and beginning to feel chilled. Being vulnerable to hypothermia, I prayed, “Lord, let me just keep moving, no matter how. At least I will be circulating.” I promised myself that by mile 15 I would try some hot chicken soup at the aid station there. Meanwhile, the marshal on the moped putt-putted up again, announcing that I was now eight minutes down. Nonetheless I kept plodding. As long as I was ambulatory the thought of quitting was not an option.

    When I did get to the aid station at mile 15, I stopped and accepted some chicken soup, which was lukewarm, probably from rain water. It did not settle well, so I grabbed a piece of soft roll, hoping it would sop up the remains in my gurgling stomach. One bite—and that came up too. As I sat exhausted in the aid station, one of the volunteers started massaging my shoulders. I did not want to leave. Then came the inner command: “You had better get up now. No one is going to finish this race for you.” It was late, and though I wanted to linger, I had to get going.

    I got back on my feet and struggled onwards in the darkness, toward the turnaround. With about six miles to go, I was out there alone when these four angels appeared from the opposite side of the road, running in the dark. One had no shoes. One had only thongs. A husband-and-wife team were the only two with running shoes. Imagine my surprise when one of them asked, “May we accompany you in?”

    At this point, I was only walking, and murmured weakly, “Uh-huh.” Then they asked whether I would like them to tell me a story as we moved along, or if I wanted to tell them one. “You,” I said. The couple began telling me about their young daughter, who had broken her arm. After occupying me with the details of how she had bravely overcome her injury and how proud they were of her, they changed the subject. “Do you see that stop sign ahead? Do you think you can start running when you get there, and then stop at the next signal to walk again?” They kept pushing me on in this manner.

    The next time the marshal on the moped appeared and started spitting out statistics, I completely blocked him out, figuring my angels would interpret the timing for me. I don’t wear a watch during these events. Even if I did, I wouldn’t be able to see it in the darkness. I just listen to my body. After all, that is the most accurate measurement. When your battery runs low, you just can’t go.

    Then along came another person on a moped, a man I’d known a long time as an announcer for many triathlon events. I found out later that he, too, had come on the scene to encourage me, and was radioing ahead to the finish line. “It doesn’t look as if Sister Madonna is going to make it. She is just walking now.” And then a bit later: “Oh, she just passed another runner, so maybe there is hope.” He kept the reports flowing so as to hype up everyone at the finish line to keep up their prayers. Even the local Hawaiian fire dancers were going through their ceremonial rituals on my behalf.

    I was, of course, totally unaware of any of this. Meanwhile, I begged my angels, “Can’t I just walk until we get to Palani Hill, and then I’ll start running down it a mile and a half from the finish? Since we’ll be back in civilization, it won’t matter if I collapse.”

    They were firm. “No, you have to do a bit more running before you get there.” With a mile and two-tenths to go, someone noticed I had only twelve minutes left if I was going to make it to the finish in time. That did not seem possible. All I knew was to rely on the advice of my remaining two angel coaches. The other two, running without shoes, could no longer keep pace and had peeled off, but the pair still with me kept telling me when I should run and when I could walk.

    My little twosome team kept encouraging me onward. Closer to the finish line, I could hear the crowd in a frenzy. When we got to the top of the final hill, I started extending my legs for a downhill run. They yelled a last admonition, “Oh, good, don’t stop! Keep going, even when you get to the bottom of the hill!”

    From the outset, as I had begun preparing for this 2006 Hawaiian Ironman, there had been strange omens, beginning with my nephew Dolph’s death just the month before. Before I left home in Spokane, I had the gut feeling that this was going to be a very different competition. I’d done the Hawaiian Ironman some twenty times by now, but something this year felt different. The feeling I had didn’t tell me not to go; it just said, be prepared.

    On my way to Hawaii, I drove from my home in Spokane over to Seattle, where I was going to spend the night with friends before boarding for Kona the next day. In Seattle, my friend opened the door, saying, “Do you know what happened in Hawaii?” She turned on the TV, and there was news of an earthquake. That never happens there, I thought. They are used to hurricanes in Hawaii, but not earthquakes. I remembered that premonition.

    While watching the news, I wasn’t sure whether I could take the plane I was scheduled to take the next day. Flights were turning back because Honolulu was affected and there were power outages. I got on the Web site for the Ironman and learned that, as far as they could see, the course had not been damaged except in one place, and that was under repair. So I decided to go. But for some reason, this little voice said, “Don’t go through Honolulu this year to change planes; go through Maui.” And so I rebooked my flight through Maui.

    As my plane from Seattle neared the islands, it did not look like the Hawaii I knew. Heavy clouds had darkened the usually azure waters. When we touched down on the airstrip, there was water everywhere. It had not stopped raining all day. The plane was late, and we had to run for our connection. None of our checked luggage, including our bicycles, made it to Kona on the flight, and it was not until the next day that they were delivered. But in Honolulu, I heard, passengers hadn’t even been able to get off their planes because of power outages.

    Grateful to have arrived safely in Kona, I settled into bed. About half past midnight, I was awakened by this funny rumbling sound. As dishes danced in the cupboard and the bedstead jitterbugged, I thought, “Oh, Lord, you are not finished yet!” At 5:38 a.m. there was another bed-shaker, and I thought, “Are we going to have this race or not? There are only four days left. Please get it out of your system.”

    It was overcast and cooler than normal on race day, and I thought, Lord this is good—as long as you keep it overcast, there will be minimal winds and no one blown off their bikes.

    Then the skies opened.

    My angels’ last instructions—“Don’t stop, even when you get to the bottom of the hill!”—kept ringing in my ears. How did they know I always stopped at the bottom to walk the next five miserable blocks on the flat until I hit Alii Drive and then gave it my all to the finishing chute? Even without a wristwatch, I sensed this was going to be a fight against time. It was then I realized this was the opportunity I had been looking for. If I could cross the finish line in time, I would know that my nephew was at peace and in the right place.

    As soon as I made that bargain with God, I had the strangest feeling, as if I were dangling between two realities, losing touch with my body and being conscious only of my momentum. I sensed a presence in the dark over my right shoulder, intimating that what I was doing was unreal. It was like make-believe. When people started crowding in, I heard their yelling and saw their hands outstretched for a high five, but I didn’t acknowledge them, which I usually would do. This time, a word of warning came: “If you touch just one of them, it could alter your forward movement. In your weakened condition, it could cost you seconds, which you can’t spare.” I developed tunnel vision, looked straight ahead and kept pushing.

    Usually the Hawaiian Ironman marathon finishes under an arch, but now I saw that they had built a plank that required you to run uphill. How sadistic could it get? But I gave it my all in a last surge. “Oh God, please keep this body moving!” When I topped the finish, the crowd was wild, as well as the announcer. The woman I had stayed with in Kona put a lei over my head, and I immediately bent over with the dry heaves.

    When I finally straightened up, I saw projected on the screen my time of 16 hours, 59 minutes, and 3 seconds. I was the last official finisher, the oldest woman on the course, and I had beat the cut-off time of 17 hours by a mere 57 seconds. “Thank you, Lord,” I breathed. “Now I know my nephew is in the right place.”

    When the announcer thrust the microphone in my face, I told him how I had asked God to let me know that my nephew was at peace. Even the announcer danced up and down shouting, “Yeah, he’s in the right place! He’s in the right place!”

    This will forever remain the most significant Ironman I have ever done.

    During the awards ceremony the following evening, an announcer on stage was saying something about a Spirit of Determination award. The master of ceremonies kept rattling on about this person going through so many accidents but still coming back for more to compete year after year. I thought that sounded somewhat familiar, but knew it could also apply to lots of other people who train for these events. When I glanced up at the screen on the stage, however, under the words Spirit of Determination was my name.

    I was seated far back, so it took me a while to gallop through the crowds and up to the staging platform, where I spotted this new Cannondale bike. I could scarcely believe this was my reward, even when the announcer said, “This is yours.” Who on earth would think of getting an award like this for being the last official finisher in an event? The bike delivered to me in Spokane several months later was a beautiful heavenly blue.

    This was in October. At Thanksgiving when I spoke on the phone with my nephew’s family, I shared the details of this event, including the surprise of the Cannondale bike. You could hear a pin drop on the other end of the line. Finally my niece said, “I don’t usually pay attention to brand names, but what did you say that bike was?” When I repeated the description she blurted, “That’s it! That was the make!” Dolph, she said, had always ridden a Cannondale. What further confirmation did I need that he was in the right place?

    In Kona just the year before, I had opened up a new age group for women, 75–79. Now, in 2006, while on stage accepting my award, I promised the crowd that in 2010 I would try to open up yet another age group for women, 80–84. So far, no woman over the age of eighty had attempted an Ironman, though one eighty-year-old man had finally succeeded. If Robert McKeague could do it for the men, I owed it to the women to do likewise.

    Sometimes I ask myself about continuing to compete in these Ironman events, but my body, mind, and soul feel so complete while I’m out there. I didn’t begin running until I was forty-eight years old, but exercise has redirected my life.

    * * *

    After the miraculous finish in the 2006 Kona Ironman, I continued to be struck by the integrity of those four people who picked me up the last six miles to encourage me into the finish. I wanted to find out who they were. I learned they belonged to the Oakley Team, obtained their names, and wanted to thank them, so I e-mailed the following:

    Dear Brent and Susie,

    I want to thank you for being my “angel coaches” during the last portion of the marathon in Kona. Whatever put it in your hearts to do such a thing? Exactly when did you peel off? Did you hear me at the finish line? How did you ever know to tell me not to stop running at the bottom of the hill? I always do! Your manner of coaching me into running was superb, but how could you have timed it so well? After seeing the coverage of this event, I am still in awe of what you did for me. What selflessness!

    Would you please thank the other two “angels” who peeled off sooner than the two of you did and pass this message along? Which one was barefooted and which had the thongs? Of course I’d like the answer to the above questions if you feel so inclined, but no rush.

    Here’s their reply:

    Dear Sister Madonna,

    How sweet of you to get in touch with us. We should thank you for making the Ironman experience so memorable for us. YOU did all the work and we just had fun. Congratulations! To answer your questions, as far as I understand, it had become somewhat of a tradition for these sales guys from Oakley, my husband Brent included, to go out on the course about 10:30 p.m. and run in with anyone who might want or need some motivation at the end. They have made this an annual tradition as they are there every year for the event.

    The guys on the motor bikes were helping us to pace you, but I myself could hardly believe that it was so close! We peeled off right before you finished, and yes, we did hear you at the finish line. You did all the work, we were just there for support. Actually, my husband Brent had [joined the race to run at your side] with you a few years back, although it wasn’t quite as close [a finish] back then. He remembers that you mentioned you wanted to run down the hill and then take a rest, but the wonderful Ironman official on the scooter gave us the sign that there was no time, so we just did our best to keep you going. And, wow! Did you keep going!

    Kona Ironman has become a very special event to us, as it is one of the few places where you can see people all coming together to challenge themselves, cheer, volunteer, and show kindness to one another all in one place at one time. It definitely restores some faith that there is some goodness left in the world. We are so happy to have heard from you. Thank you for being such a great motivation to us.

    Brent and Susie Lantz

    Running does change people’s lives. When I first entered the religious life at the age of twenty-three, I was set apart from the world. Once I began to run and to compete, my path opened wide to include the whole world. God’s ways are not our ways. I would probably be less effective sitting in the convent than I am now, being thrust into the public where I can influence people by example.

    I’m keenly aware how blessed I am, because how many people get angels helping them along the way like I do? I travel alone all the time, and I train alone all the time; but somebody is always there when I need them if something goes wrong.

    When people come up to me, as they continually do, and say, “Well, you have an added advantage. God is on your side,” I know that it isn’t just my advantage. We all have it if we just call on the God power within. It’s there for the taking.

    © 2010 Sister Madonna Buder

    Most helpful customer reviews

    12 of 12 people found the following review helpful.
    No more excuses
    By Andrew Galbus
    I thought I was getting old and starting to do races like duathlons and triathlons was maybe not for me. I started having some minor pains too and thought perhaps I needed to back off a little. After reading about Sister Buder I know I have nothing at all to complain about. The book showed me by example how someone can enjoy life, stay healthy, and be in competitions without necessarily being competitive except with yourself. Her faith was very inspiring as well. I would recommend the book for runners, triathletes, or althetes that have pains and complain about their hardships. I would also recommend it to someone who needs some inspiration and wants to see how someone else stays in touch with God. Wow! Great read. I don't read many books in just a few days but this one I did. It starts out with a race and gets you hooked, then goes back in time to her life and how she found her place in life and then how she got hooked into running and eventually triathlons bringing the story back to current time. It was a great complementary book to Born to Run: A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen because that book spoke of times when we used to run as a child for fun barefoot and just because we loved to run around. Sister Buder still does this at age 80!

    7 of 7 people found the following review helpful.
    I've witnessed Sister Madonna in Kona, 3 times, it's harder than it looks!
    By Lucy
    Yes, she sort of pumps herself up a bit and doesn't like that in other triathletes.

    Hmmm...I was reminded of a visit with my 75 year old aunt who talked about herself
    (in a Wonderful glorious way) and I sat and listened for 6 hours.

    Trust me when I say: Kona and the Queen K highway is HOT and unforgiving.
    There is no shade, it's you, the heat and the desert. What she has done (repeat.repeat.repeat races)
    IS incredible for a Normal person, but for someone her age is AMAZING.

    I've watched 3 Ironman World Championships in Kona and was exhausted just from the
    heat and I wasn't competing!

    The fact that her family had money and her fees are "comped" does NOT get her to the
    finish line. We've all seen that rich people don't become perfect~ but, she put in the
    hard work to get to where she is now. Who cares that her fees/travel is paid for?

    In Oct, 2003: My husband and I spend a "hard" day watching the Ironman race, having drinks
    and dinner and wandered the dark streets to the IM finish line to cheer on the triathletes in Kona.

    In the dark, here came Sister Madonna, alone, jogging the last 2-3 miles. We were side by side,
    me: full of dinner and wine, tired from the day, and Sister Madonna, up since 4 AM, working the race for
    15+ hours....We cheered her on in the darkness and it sort of got to me~ The Irony of that incredible
    and ~~humbling moment. I felt like: Wow, why can't I be like HER? I felt like a failure.

    I was 42 (overweight, out of shape) and she was maybe 73? (my math might be off, but you see what I'm saying)

    Sister Madonna "works out" with me as I train for my first half marathon. She has give me some good advice! :)

    She says, "patience" and "one mile at a time". Not sure it's her or Her Master!

    4 of 4 people found the following review helpful.
    We love her to pieces and truly respect and admire her
    By Amazon Customer
    This may not be unbiased! My family has hosted Sister Madonna at our home three separate times when she came to Panama City Beach, Florida for a triathlon. We love her to pieces and truly respect and admire her. So when I heard she wrote a book, I immdiately bought several copies to read and pass along as gifts to family members, one of whom is a young lady just starting out in triathlons. She is inspirational, and so is her book. She is unassuming, and really not egocentric in any way and the book helps point out that how you live and act is sometimes way more important than what you say. I give her full marks, and her book, too.

    See all 44 customer reviews...

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